The implications of inflation are particularly important in the context of the landscape of string theory. One of the leading researchers studying how inflationary cosmology evolves through the landscape is Alex Vilenkin, a theoretical physicist at Tufts who has been working in the field of cosmology for 25 years and is a pioneer in introducing the ideas of eternal inflation and quantum creation of the universe from nothing. Here he sets forth his ideas of how the set of theories which began with Guth’s inflationary scenario are playing out.
This post on the Multiverse of mine, may be an “psychological interpretation” here that I would like to bring forward. This may be distasteful for people of science. Please bear with me as I try to explain myself, and not sanction me to a site that has issues with “ten dimensions and and quantum tunnelling?”:)
The Flower as a Universe in Expression
So I will open the above with an example of one of the flowers done up with regards to Mandalic interpretations. This has been part of my research to understand the “individuality of each persons expression” from the inside out. As if, one understood the “liminocentric structure” develop from the schematic of the “circle with a point” in it, “to a point” with a boundary condition that is contained, as an equation of E=mc2.
AS well the student here is learning to give credence to a “way of enlightenment” that foreshadows what can exist as “this schematic mathematical diagram,” could find itself looking quite nicely in such a expression as that of a flower.
“Out of Nothing” Came Art and Science?
But even empty space has faint traces of energy that fluctuate on the subatomic scale. As suggested previously by Jaume Garriga of Universitat Autonoma de Barcelona and Alexander Vilenkin of Tufts University, these fluctuations can generate their own big bangs in tiny areas of the universe, widely separated in time and space. Carroll and Chen extend this idea in dramatic fashion, suggesting that inflation could start “in reverse” in the distant past of our universe, so that time could appear to run backwards (from our perspective) to observers far in our past.
I think one can be detracted by good pictures as to the originality of how we might see the universe in expression. So “without further explanation” we might say yes indeed they are good pictures of flowers without understanding the inheritance of the explanation forth coming.
So the idea here is not to be judgemental of the “book by it’s cover” until one has considered the explanation that is forthcoming. As one weights what the expression of any universe can mean, while within it, there are evidences for the possibilities of what exists as our own universe, was granted a design, as one might grant each galaxy in expression?
Take an event within the colliders and tell how each will react according to the energies used?
This first issue of the journal became a “meeting place” of an international group of authors, representing five continents. Although the papers give reliable information about the authors, we add here some brief “informal” notes on all of them:
I may have been attracted to this one for consideration by implicating the “music of the spheres” in my previous comments so however words are transported back and forth between scientists, or “the insinuation” of JoAnne of Cosmic Variance has for it, I cannot help the way I see.:)
OKay now. On to the explanation, as I have learnt to understand it, and then, what ever fate I have assigned to me and this becomes the way of it for me? Cracked flower pot and all.
During a first-order phase transition, the matter fields get trapped in a `false vacuum’ state from which they can only escape by nucleating bubbles of the new phase, that is, the `true vacuum’ state. See here for correlating Post.
Now is it enough that I identify the “source of such expressions” to advance the “geometrical inherent of form” as a universe in expression? So where did this design come from. How could anything issue from such “chaos implied in all the possibilities” that we might have the universe we did in this one?
Physically, the effect can be interpreted as an object moving from the “false vacuum” (where = 0) to the more stable “true vacuum” (where = v). Gravitationally, it is similar to the more familiar case of moving from the hilltop to the valley. In the case of Higgs field, the transformation is accompanied with a “phase change”, which endows mass to some of the particles.
So by looking at the picture below you get this sense of why the “sombrero as a hat” serves us well to explain the nature of gravitational considerations while this “collapse of the sphere” can produce all kinds of models of geometrical expressions, as a Calabi Yau?
I will not assign “a label” although I use them here in this blog “to categorize the times that I have ventured onto a particular subject.” I will not succumb to “any categories” that insinuate that “one group of scientists belong to let’s say the “Templeton Foundation” and thusly criticize them, as being insignificant and deluded. “Founding a movement” to change society other then, what society wants itself to become.
So by characterization I have learnt to not hold any woman or man to the “fate of character alone,” or the “choices they make.” But to see the basis of science is continually being adhered to on a level of “correlation of cognition.” Given, the experiment and facts, what does one conclude to do while they venture forward? What do they pull toward them, as they theorize about the science?
How is their philosophy imbued them to speak, while there is this underlying mathematical basis to the world? Is it all “flowery or drawn to the arts” that it detracts from the science? Are there not ways that art helps science visualize what has come from their thought processes?
So Tegmark saids,”the universe is not a bagel?” And we have all these ideas about the “shape of the universe.” Cosmology likes em large, while the Calabi Yau-ist like it small? Okay, not small, but descriptively unique?